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關于京劇的英語PPT

這是關于京劇的英語PPT,包括了Origin起源,生Sheng: main male role主要男性角色,旦Dan: young and beautiful female年輕、漂亮的女,丑Chou: clown, male or female小丑,男性或女性,The development發展等內容,歡迎點擊下載。

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Beijing Opera Chinese traditional opera is considered one of the world's three ancient operas, together with Greek tragedy and comedy, and Indian Sanskrit opera. Among the more than 360 ancient local operas in China, Peking Opera is known as China’s national opera, despite its comparatively young 200-year history.中國傳統戲曲被認為是世界三大古代戲曲,連同希臘悲劇和喜劇,和印度梵語戲劇。在超過360古代地方劇種在中國,京劇是作為中國的國劇,盡管其相對年輕的這間歷史。 Origin起源 Although it is called Peking Opera, the origins of Peking Opera are not in Beijing but in the provinces of Anhui (East China) and Hubei (South-central China). Its rise is due in great part to the favorable eyes and patronage of the imperial royalties.雖然它被稱為京劇,京劇的起源不在北京,但在中國東部省份安徽(中國)和湖北省中南部的)。它在很大程度上是由于上升的有利的眼睛和惠顧帝王的版稅。 Peking Opera is a purely Chinese opera form dating back to the year 1790, when the famous Four Anhui Opera Troupes first came to Beijing in celebration of the 80th birthday of Emperor Qianlong (1711-1799) of the Qing Dynasty (1644-1911). The tour was a hit and the troupes stayed. In 1828, some famous Hubei Opera Troupe players came to Beijing.京劇是一種純粹的戲曲形式,可追溯到1790年,當那位有名一年四個安徽歌劇團體第一次來北京的80歲生日慶祝乾隆皇帝1711-1799)的清朝(1644 - 1911)。這次旅行是一擊和劇團留了下來。在1828年湖北劇團,一些著名的球員來到北京。 The artists of Hubei and Anhui troupes often jointly performed on the stage and absorbed repertoires, music, arias and performing techniques of each other and from other operas like Kun Qu, Qin Qiang and Bang Zi, as well as the local dialect and customs of Beijing. Its repertoires mainly depict fairy tales of preceding dynasties and important historical events.湖北、安徽的藝術家們經常聯合進行劇團在舞臺上和吸收技能、音樂、詠嘆調和演唱方法和其他的歌劇彼此喜歡姜昆曲、秦羌砰的一聲字,以及當地方言的習俗和北京。主要描述其技能的童話故事以前朝和重要的歷史事件。 It was after 1840 that Peking Opera formally took shape, growing even faster during the reign of the Empress Dowager Cixi (1835-1908), who was an opera aficionado. Classic Peking Opera repertoires and the names of the first-generation masters were on the lips of the people in Beijing, and eventually prevalent around the country.這是1840年后,京劇正式初具規模,增長甚至其統治期間(1835-1908慈禧太后),誰是一個歌劇的舞迷。經典京劇的名字和技能是第一代大師在唇上的人在北京,并最終在全國流行。 生 Sheng: main male role主要男性角色 旦 Dan: young and beautiful female年輕、漂亮的女 凈 Jing: painted faced male畫面臨男性 丑 Chou: clown, male or female小丑,男性或女性 The status of Beijing Opera京劇的地位 During the second half of the 20th century, Beijing opera witnessed a steady decline in audience numbers.在上世紀下半葉的,京劇觀眾目睹了在持續下降的數量。 This has been attributed both to a decrease in performance quality and an inability of the traditional opera form to capture modern life.這是由于既降低了性能質量和無能的戲曲形式來捕捉現代生活。 The influence of Western culture has also left the younger generations impatient with the slow pacing of Beijing opera.西方文化的影響也離開了年輕一代的同意太慢了京劇來回踱步。 In response, Beijing opera began to see reform starting in the 1990s.作為回應,京劇開始看到改革開始于九十年代。 Such reforms have taken the form of creating a school of performance theory to increase performance quality, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon.這些改革已采取的形式表現的理論創新學校增加演出質量,利用現代元素來吸引新觀眾,以及執行新的劇本以外的傳統佳能相機。 The development發展 In addition to more formal reform measures, Beijing opera troupes also adopted more unofficial changes. Some of those seen in traditional works have been called "technique for technique's sake".除了更正式的改革措施,京劇劇團也采用了更多的非官方的變化。所見的一些傳統的工作一直被稱為“技術為技術的緣故。” To survive in an increasingly open market, troupes like the Shanghai Jingju Company needed to bring traditional Beijing opera to new audiences.生存在一個不斷開放的市場,劇團喜歡上海Jingju公司需要將傳統京劇新觀眾。 To do this, they have offered an increasing number of free performances in public places.為了做到這一點,他們已經提供了越來越多的免費表演在公共場合中。 謝謝觀看作者音樂學二班岳彬彬 加油哦!

京劇英文介紹ppt:這是京劇英文介紹ppt,包括了Origin起源,The status of Beijing Opera京劇的地位,The development發展等內容,歡迎點擊下載。

京劇講座ppt:這是京劇講座ppt,包括了京劇和京劇音樂,京劇的形成,京劇小科普,現代京劇,雄心壯志沖云霄,家住安源等內容,歡迎點擊下載。

京劇ppt背景圖:這是京劇ppt背景圖,包括了京劇形成的背景,產生過程,京劇的行當,京劇的流派,京劇名角,四大名旦,京劇伴奏樂器,藝術特征——(1)綜合性等內容,歡迎點擊下載。

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